JAWS is the Journal of Arts Writing by Students, which serves as a platform for peer to peer engagement and for research currently taking place within institutions delivering MA and PhD study programmes to be published. Originally founded at Chelsea School of Art, JAWS has been published by Intellect since 2015, and is the first academic arts journal entirely dedicated to current students' and recent allumi's work. It works to open new lines of discourse and collaboration and seeks to promote early career researchers across a wider academic community, demonstrating the ability, dedication and professionalism of students. JAWS places great emphasis in the peer review process and relies on its network of interested researchers to deliver current and challenging reads. The editorial board and contributors are all current students, recent graduates or emerging authors, and JAWS is keen to foster relationships with Art Schools and Colleges across the UK and internationally, to maintain our commitment to helping promoting knowledge exchange and career prospects to our contributors.
Publication in the JAWS journal provides students with valuable experience of writing for an academic journal (an essential component of PhD study or an academic career) as well as circulation and recognition of their research. It is not only an opportunity to take their academic writing to the next level but also to share outcomes and findings across a research network. We at JAWS believe strongly in research as a living pragmatic entity - it should not languish unread in a file, bending bedroom shelves, as it is only through sharing and discussion that new ideas can be allowed to develop and grow.
If your University Library doesn't stock JAWS, most students will be able to download copies using their institutional access (Open Athens, Shibboleth) through Ingenta Connect.
Publication in the JAWS journal provides students with valuable experience of writing for an academic journal (an essential component of PhD study or an academic career) as well as circulation and recognition of their research. It is not only an opportunity to take their academic writing to the next level but also to share outcomes and findings across a research network. We at JAWS believe strongly in research as a living pragmatic entity - it should not languish unread in a file, bending bedroom shelves, as it is only through sharing and discussion that new ideas can be allowed to develop and grow.
If your University Library doesn't stock JAWS, most students will be able to download copies using their institutional access (Open Athens, Shibboleth) through Ingenta Connect.
JAWS Volume 6
Deadline Friday 13th March, 2020
Call for submissions now open!
What We Want:
Theoretical and discursive essays up to 6000 words.
Critical reviews of events, exhibitions or performances up to 3000 words.
Submissions of practice accompanied by text. The word count for this type of submission can be negotiated through the peer review and editing process, but we recommend between 3000 - 5000 words.
All work must be prefaced with a 100-word abstract and 6–8 keywords, and followed by a short contributor biography. Please include your university affiliation, full name, course and year of graduation. All work must use Harvard referencing, following Intellect House Style.
For full submission guidelines and information about the peer review process we employ, please refer to www.jawsjournal.com/submissions.
Volume 1 Issue 1 is available for free at: www.ingentaconnect.com/content/intellect/jaws/
Our guest editorials from previous issues are also available, including those by Alice Bonnot (Independent Curator), Professor Arnold Aronson (Columbia University), Dr Sophie Hope (Birkbeck), Dr Inger Mewburn (the Thesis Whisperer), Professor Joseph Heathcott (The New School of Design) and Professor Malcolm Quinn (CCW Graduate School): https://www.intellectbooks.co.uk/journals/view-Journal,id=243/
For all inquiries please email Inês Ferreira-Norman at p.e.jawsjournal@gmail.com .
JAWS Issue 5.2 is OUT!
and we are going to celebrate it! Come to the launch event, a retrospective with our previous principal editor Rob Gadie. Book your place here!
We have now made all our guest editorials FREE to download, so even if you have not yet subscribed you can still read all of our fantastic guest editorials. This issue we have available an interview with Jim Drobnick, from the OCAD University in Toronto. Jim has published on the visual arts, curating, performance, the senses and post-media practices in recent anthologies such as Food and Museums (2017), Designing with Smell(2017), The Artist as Curator(2015), L’Art Olfactif Contemporain(2015), The Multisensory Museum (2014), Senses and the City(2011) and Art, History and the Senses(2010). His books include the anthologies The Smell Culture Reader(2006) and Aural Cultures(2004) and he has edited or co-edited special thematic issues of Performance Research(Under the Influence, 2017), PUBLIC(Civic Spectacle, 2012) and The Senses & Society(Sensory Aesthetics, 2012). In 2012 he co-founded the Journal of Curatorial Studies(Intellect), which focuses on exhibitions and display culture. His curatorial collaborative, DisplayCult, organizes art exhibitions that foreground performative and multisensory projects (www.displaycult.com).
This issue also includes reviews, articles and artwork from students at Warwick University, Norwich University of the Arts, University College London, Royal College of Art, and Camberwell College of Arts.
You can get institutional access to all of our back issues through Ingenta Connect - https://www.ingentaconnect.com/content/intellect/jaws/2018/00000004/00000002
If this has inspired you to submit, get in touch with Inês Ferreira-Norman at p.e.jawsjournal@gmail.com
and we are going to celebrate it! Come to the launch event, a retrospective with our previous principal editor Rob Gadie. Book your place here!
We have now made all our guest editorials FREE to download, so even if you have not yet subscribed you can still read all of our fantastic guest editorials. This issue we have available an interview with Jim Drobnick, from the OCAD University in Toronto. Jim has published on the visual arts, curating, performance, the senses and post-media practices in recent anthologies such as Food and Museums (2017), Designing with Smell(2017), The Artist as Curator(2015), L’Art Olfactif Contemporain(2015), The Multisensory Museum (2014), Senses and the City(2011) and Art, History and the Senses(2010). His books include the anthologies The Smell Culture Reader(2006) and Aural Cultures(2004) and he has edited or co-edited special thematic issues of Performance Research(Under the Influence, 2017), PUBLIC(Civic Spectacle, 2012) and The Senses & Society(Sensory Aesthetics, 2012). In 2012 he co-founded the Journal of Curatorial Studies(Intellect), which focuses on exhibitions and display culture. His curatorial collaborative, DisplayCult, organizes art exhibitions that foreground performative and multisensory projects (www.displaycult.com).
This issue also includes reviews, articles and artwork from students at Warwick University, Norwich University of the Arts, University College London, Royal College of Art, and Camberwell College of Arts.
You can get institutional access to all of our back issues through Ingenta Connect - https://www.ingentaconnect.com/content/intellect/jaws/2018/00000004/00000002
If this has inspired you to submit, get in touch with Inês Ferreira-Norman at p.e.jawsjournal@gmail.com
